Ip man 3 mike tyson1/2/2023 And we haven’t worked with each other for twenty-something years. But to answer your question, my first movie was directed by Yuen Woo Ping. I was acting as a bit of a personal translator/middle person. Also, trying to explain some of Mike’s commons and some of his input, I convert that to master Yuen Woo Ping. Certain people can speak the language and understand the culture, and Donnie explained it to me.ĭONNIE YEN: Vice versa. ![]() Me and the director really couldn’t communicate much. ![]() What has it been like working with him through the years, and Mike, what was it like working with him for the first time? ZACH NIX: Donnie, you and fight choreographer Yuen Woo Ping go back as far as films such as Drunken Tai Chi and In the Line of Duty IV. It's hardly a new or fresh way to end a Hong Kong action film, but it's a welcome change from the overlong, languid shots of Ip contemplating his wife's mortality that fill up the rest of the film.“When I always think of the Chinese culture, my ideas always come from the Shaw Brothers movies,” explained Tyson. The two wing chun champions face off against each other in a series of scenes familiar to kung fu movie fans. The only real spark in the film is provided by Yen's costar Zhang Jin as Cheung Tin-chi, an upstart devotee of the wing chun school intent on knocking Ip off his hallowed throne atop Hong Kong's martial-arts pantheon.Īn impoverished rickshaw driver and single dad, Cheung can't feed his family, much less take time to train for his duel with Ip, so he makes a deal with the devil and signs up as a hired thug with Tyson's brutal crew. Ip's wife comes off as an idealized ceramic figurine devoid of real flesh and blood. But the film handles her death in schmaltzy, strings-drenched scenes that ring false. There is tragedy here: Ip's first wife, Cheung Wing-sing (Lynn Hung), died of cancer in 1960. Yet, despite a decisive conflict between Ip and a street gang run by an American ex-boxer (Mike Tyson in a terrible cameo), the film is little more than a pastoral portrait of Ip as a family man. A paragon of virtue distinguished by inner serenity, patience, and love, Ip guards his neighbors against attacks by thugs. Ip Man 3 picks up the story in 1959, when Ip has established himself as a respected teacher and pillar of the community. īoth films were about life-and-death struggles that provided them with an inner tension and level of excitement missing in the new entry. The sequel recounts the conflicts he faced after resettling after World War II in a hostile neighborhood in Hong Kong, where he opened his first martial arts school. Ip Man is about his experiences in his hometown of Foshan in mainland China when it was engulfed in war in the 1930s. The two films are energetic, raw works of drama that recount the immense struggles Ip faced in two key periods in his life. Yen and Yip scored a stunning global sensation with Ip Man (2008 ) and Ip Man 2 (2010), making Yen a bona fide international superstar and spurring a global resurgence of interest in Ip's style of kung fu. He's capable of on-screen hand-to-hand pyrotechnics that almost match the speed, intensity, and freshness achieved by Lee during his short film career. That's thanks in large part to Yen, an astounding martial artist. Of course, there is a great story to be told about Ip, but the filmmakers already have given it to us with the first two installments.
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